
We went to see the film “The Namesake” this evening. This post is not a review as I don’t claim to be an expert in cinema. I am, however, an admirer of Mira Nair’s work and have seen most of her films. "Salaam Bombay" was the first film of hers that I saw way back in the early nineties, when I was studying architecture, which is based on the street children of my city. Subsequently I saw “Mississippi Masala.” I had absolutely loved her film “Monsoon Wedding,” which was released in 2001. If I am not mistaken, her background is in documentary and her films are faithful to that genre.
I also love
Kal Penn who is the main character in this film. The first film that I saw of his, was a small budget film called “
American Desi,” where he had a supporting role but really stood out. I also saw his movie, “
Harold and Kumar go to White Castle,” which pokes fun at stereotypes. He was hilarious in both the movies and it was very refreshing to see him play a rather intense character in this film.
Moving back to “The Namesake,” this movie is based on
Jhumpa Lahiri’s book with the same name. The movie is the story about a Bengali family, the Ganguli family, consisting of Ashoke and Ashima and their two children Gogol and Sonia, and their journey from Calcutta, India to New York and eventually to Boston. Ashoke is played by Irfan Khan and Ashima is played by the incredible
Tabu, who is a very talented Indian actress. It spans between the three cities and talks about the conflict of Gogol, played by Kal Penn. Gogol has an identity crises and is trying to find himself. In addition his name “Gogol,” which is given in the honor of the Russian author his father reveres is also the cause of the conflict. There is a story behind it which unfolds as the movie progresses. Gogol dates a Caucasian Manhattan socialite but then eventually marries an Indian-American with the same Bengali heritage. That does not solve his problem either and a family tragedy brings him closer to his roots. The other inter generational conflict is the fact that most expatriate Indians think that their children must marry into their regional and cultural background. Doing that is not necessarily the formula for a happy marriage, which is highlighted by Gogol’s situation. Also the fact that the Indian community is so insular and they socialize only with “their own.” This can be very conflicting for a child who has one life in school and whole other in the parent’s home.
Mira Nair is a sensitive film maker and her films are very poignant and capture intense emotions which are interspersed with such humor. The other thing I have noticed is Mira Nair’s ability to spin her very own special cinematographic magic in her movies. She always shoots on location and paints a very realistic picture of an Indian life. She makes very ugly landscapes and cityscapes look very beautiful. As an artist I see beauty in the old dilapidated buildings, in the crowded streets and in the amalgamation of different cultures that is India so I completely identify with her aesthetic sensibilities.
All I can say is that it was an enjoyable evening and I would definitely recommend this movie to you.
Among Other Things:There were other things in that movie that I could identify with as Bengali culture is not dissimilar to Maharashtrian culture.
The one thing that I identified the most was with the concept of pet names. Bengalis tend to have two names for their kids, a pet name and a registered name. One of my Bengali classmates had a nickname “Rana” and my friends and I used to mercilessly harass him by calling him “Rana Tigrina,” which is the scientific name of the Indian bullfrog (I know it is not funny at all but it was quite funny at that time. Thank God my sense of humor has matured with age). Gogol is the character's pet name while his registered name is "Nikhil."
My sisters and I have registered names and totally different pet names too. My pet name is rather weird sounding and if translated in America would be considered a "racial slur," when in actuality it is a very common term of endearment in India. Till today my parents, sisters, brother-in-law, and old friends call me by my pet name. Even my 13-year old nephew refuses to call me and my younger sister by the honorific Marathi/Indian term “Mavshi” (which means mother’s sister) and instead calls me by my pet name. For quite some years of my life my pet name overtook my actual registered name and it can be very annoying when acquaintances start calling you by it.
I couldn’t really identify with the need felt by Ashoke and Ashima to hang out with other Bengalis but it is true with a lot of expatriate Maharashtrians as well. When I first moved to New Jersey, my cousin asked me if I joined the “
Maharashtra Mandal,” which basically is the cultural group of all Maharashtrians. I said that I did not and he replied that since I don’t have children I might not feel the need. I wondered if it would change when I become a parent but then since K and I never made friends based on ethnicity I don’t think it will ever matter to us.
As an Indian woman who lives in the United States, I couldn’t identify with Ashima perhaps because she belongs to a totally different generation than me. I could however identify with her love for her family in India as I am part of a very close-knit family. Although I live here with my husband and have lived here all by myself as well and despite being well integrated and comfortable with mainstream American society yet I still miss my home and family terribly.
Last but not the least, the character is an architect who gets inspired to study architecture after visiting the Taj Mahal. When I was 13, I visited Agra on a school trip and was completely awe-struck by the architectural splendor of Taj Mahal and Fathepur Sikhri. It sounds very cliched but I attribute my architecture and planning education to that trip!
PS: I also love Bengali sarees and despite being a person who seldom wears sarees I own (K calls it "hoard") quite a few Dhaka, Tangail, Kantha and Baluchari sarees. So I enjoyed looking at all the beautiful sarees as well.